Please use this identifier to cite or link to this item:
Title: Voces plurales en la poesía de Piedad Bonnett
Authors: Cervera Salinas, Vicente
Keywords: Iberistica
Latin American poetry -- 20th century
Bonnett, Piedad (1951- )
Issue Date: Jun-2014
Publisher: Venezia: Edizioni Ca' Foscari
Series/Report no.: Rassegna Iberistica;101/2014
Abstract: This article examines an essential part of the poetical work of the Colombian writer Piedad Bonnett, where the concept of ‘plural voices’ is combined with the term of ‘verbal bodies’. The analysis of several poems of his work, from her titles Ese animal triste (1996), Todos los amantes son guerreros (1998) or Las tretas del débil (2004) reveals an essential voice in the field of the most recent Latin American poetics in this century, where the practice of the poetic genre drift towards a different plurality culture, in a place of intersection between the universality voice of Jorge Luis Borges and the melancholy of Alejandra Pizarnik.
Appears in Collections:Rassegna iberistica

Files in This Item:
File Description SizeFormat 
04. Voces.pdf99.81 kBAdobe PDFView/Open

Items in DSpace are protected by copyright, with all rights reserved, unless otherwise indicated.