Please use this identifier to cite or link to this item: http://hdl.handle.net/11707/3313
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dc.contributor.authorInnocenti, Loretta
dc.date.accessioned2014-12-18T09:49:51Z
dc.date.accessioned2015-10-21T11:49:48Z-
dc.date.available2014-12-18T09:49:51Z
dc.date.available2015-10-21T11:49:48Z-
dc.date.issued2008
dc.identifier.urihttp://hdl.handle.net/11707/3313
dc.description.abstractWhether Marlowe's 'Hero and Leander' was left unfinished at the author's death or is a complete poem has been a much debated issue in the XX century. Since Muriel Bradbrook defined it as an epithalamion, celebrating the triumph of love, the idea of a "missing" tragic ending has been questioned. Critics have produced textual evidence for both possible solutions, considering the text either as a fragment where narration halts at the moment of the fulfilment of passion, or as a mock-heroic epyllion, skilfully devised to keep death at a distance. A definitive answer may never be found, but the text presents several interesting features which seem to hint self-referentially at its own form. At different levels the poem, rather than being structured as a linear and uninterrupted narration, contains separate static elements which defy any teleological tending towards a conclusion. The insertion of, or the reference to, different classical myths seems to reproduce the notion of the whole text as a fragment. Moreover, oppositions between different fields, such as the world of gods and goddesses and that of human beings, or the generic universe of male and female indentities, merge into an ambigous coincidentia oppositorum, where differences are abolished. Just as Hellespont at the same time separates and unites the two cities, as well as the two lovers, other figures are representative of the connection between diverse natures: tritons and mermaids, centaurs, but also sex, hermaphroditism and homosexuality. All of these seem to thematize and mirror the double identity of the poem itself, which mixes comedy and tragedy, so that neither can prevail.it
dc.language.isoitait
dc.publisherPadova, Studio Editoriale Gordiniit
dc.relation.ispartofAnnali di Ca' Foscari : Rivista della Facoltà di Lingue e Letterature straniere dell'Università di Ca' Foscari di Venezia, 2008, vol. 47 (2), pp. 39-61it
dc.title"Desunt nonnulla ". La tragedia incompiuta in 'Hero and Leander' di Christopher Marloweit
dc.typeArticleit
dc.description.fulltextopenen
dc.subject.keywordsHero and Leanderit
dc.subject.keywordsChristopher Marloweit
dc.subject.keywordsEnglish Renaissanceit
dc.subject.keywordsAnglisticait
Appears in Collections:Annali di Ca' Foscari. Serie occidentale

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