Please use this identifier to cite or link to this item: http://hdl.handle.net/11707/5852
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dc.contributor.authorZekiyan, Boghos-
dc.date.accessioned2016-11-09T15:50:42Z-
dc.date.available2016-11-09T15:50:42Z-
dc.date.issued2016-07-
dc.identifier.isbn978-88-6969-085-3-
dc.identifier.urihttp://hdl.handle.net/11707/5852-
dc.description.abstractThis brief reflection on Armenian architecture intends to be a homage to the friend and colleague Gianclaudio Macchiarella. Remembering our long conversations and moving on the path traced by our common friend Adriano Alpago-Novello, I will argument on the deep and crucial connexion between the artistic production and the spiritual world in the Armenian context. Leaving aside the positivistic approach that dominated the studies during the first decades of the XX century, I will insist on the necessity to look beyond shapes, plans and figures, toward a more intimate dimension of the artistic production, in order to decipher and unveil those more vital and deep meanings and intents indissolubly connected to the Armenian culture and identity.en_US
dc.language.isoiten_US
dc.publisherVenice : Edizioni Ca' Foscarien_US
dc.subjectArmeniaen_US
dc.subjectReligious architectureen_US
dc.subjectSymbolismen_US
dc.subjectSpiritual dimensionen_US
dc.titleRiflessioni sull’architettura armena nel segno dell’identità e delle dinamiche di confronto interculturaleen_US
dc.typeArticleen_US
Appears in Collections:Eurasiatica. Quaderni di studio su Balcani, Caucaso e Asia Centrale

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