Please use this identifier to cite or link to this item: http://hdl.handle.net/11707/5643
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dc.contributor.authorMistrorigo, Alessandro-
dc.date.accessioned2016-06-21T11:37:42Z-
dc.date.available2016-06-21T11:37:42Z-
dc.date.issued2015-12-
dc.identifier.urihttp://hdl.handle.net/11707/5643-
dc.description.abstractThe last poetry book of Julio Reija combines two different poetry collections in the same object though a very peculiar layout designed by the same author. Far from looking for a mere rhetorical effect, the specific layout of the book is constitutive of the way Reija understands poetry: his practice of poetry is a continuous exercise in which words are literally and desperately disjointed, fragmented, took apart in a writing that is always searching for a new form. Julio Reija’s writing combines the derridian deconstruction of logos (language and though) with an ethical posture against the overwhelming power of mass media in contemporary world.en_US
dc.language.isoesen_US
dc.publisherEdizioni Ca'Foscarien_US
dc.relation.ispartofseriesRassegna Iberistica;Vol. 38, n. 104-
dc.subjectIberisticaen_US
dc.titleDespiece peatonal | Respiración continua de Julio Reija Un libro (no sólo) dobleen_US
dc.typeArticleen_US
Appears in Collections:Rassegna iberistica

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