Please use this identifier to cite or link to this item: http://hdl.handle.net/11707/5440
Title: Historicidad y culpa en Muerte de un ciclista y Caídos del cielo
Authors: Carles, Murillo
Keywords: Iberistica
Bardem, Juan Antonio (1922-2002). Muerte de un ciclista
Loriga, Roy. Caídos del cielo
Spain - History - 1956-1994
Ispanistica
Issue Date: Jun-2014
Publisher: Venezia: Edizioni Ca' Foscari
Series/Report no.: Rassegna Iberistica;101/2014
Abstract: This article offers an explanation of Spain’s historicity, from the dictatorship to the consolidation of the democracy, by comparing the assassins of Juan Antonio Bardem’s Muerte de un ciclista (1955) and Ray Loriga’s Ca?dos del cielo (1994). The criminal acts affect the poetics of film and novel, which examination unveils the character’s temporality (Deleuze and Ricoeur) and guilt. This paper moves on to demonstrate how Bardem and Loriga’s poetics of composition replicate an image of the criminals’ historic condition conceptualized from the symbol of Adam’s fall. Its interpretation is later contrasted with the historicity of Spain, whose politics of memory in relation with the Civil War is affected by the oblivion of guilt (Franco’s dictatorship) and grounded on the contradictory idea of forgiveness (democracy).
URI: http://hdl.handle.net/11707/5440
Appears in Collections:Rassegna iberistica

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