Please use this identifier to cite or link to this item: http://hdl.handle.net/11707/3274
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dc.contributor.authorAgressi, Ada
dc.date.accessioned2015-01-13T14:38:23Z
dc.date.accessioned2015-10-21T11:48:56Z-
dc.date.available2015-01-13T14:38:23Z
dc.date.available2015-10-21T11:48:56Z-
dc.date.issued2007
dc.identifier.urihttp://hdl.handle.net/11707/3274
dc.description.abstractThis essay intends to explore the mestizo identity through the perspective of so called "Third World Women of Color" writers whose works are included in two anthologies edited by Gloria Anzaldúa. The analysis starts by outlining the concept of "Borderlands/Frontera" which is especially crucial for Cchicano people who were born in the border conflict between two nations, becoming the symbol of contradictions that coalesce and can coexist in the tolerance for ambiguity. The discourse opens up to the exploration of meaning in the work of mestiza writers who must struggle aganist gender and race discriminations to have their creativity validated, and of the need for these writers to always relate of/to the social community they pertain to, becoming a bridge between the known and the unknown, the local and the universal, the inside and the outside world of their conscience.it
dc.language.isoengit
dc.language.isoitait
dc.publisherPadova, Studio Editoriale Gordiniit
dc.relation.ispartofAnnali di Ca' Foscari : Rivista della Facoltà di Lingue e Letterature Straniere dell'Università Ca' Foscari di Venezia, 2007, vol. 46 (1), pp. 5-27it
dc.titleMestizaje americano: Gloria Anzaldúa autrice di "Borderlands/La frontera"it
dc.typeArticleit
dc.description.fulltextopenen
dc.subject.keywordsMestizajeit
dc.subject.keywordsAnzaldùait
dc.subject.keywordsBorderlandsit
Appears in Collections:Annali di Ca' Foscari. Serie occidentale

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