Please use this identifier to cite or link to this item: http://hdl.handle.net/11707/3253
Title: I rapporti artistici tra Venezia, l'Albania ed il Levante alla fine del XVII secolo. Riscoperta un'altra pittura di Theodoros Poulakis (1620-1692)
Authors: Stoyanova, Magdelena
Issue Date: 2006
Publisher: Padova, Studio Editoriale Gordini
Abstract: This paper aims to demostrate that one of the items (cat. N. 64) displayed in 2001-2 at the Exibition of Albanian icons in Germany and, afterwards, in Italy, is not work of an Albanian artist, but was painted by Theodoros Poulakis, a Greek famous as one of the artists most strongly influenced by Occidental Orthodox icon painters, for his technological innovations as well as for the enormous artistic heritage he left after his death. Besides this concrete attribution, the general context of the artistic relations between Venice and the Christian population in the areas corresponding to modern Albania is traced and discussed in view of some exceptional icon collections which appeared some years ago on the Italian antiquarian market.
URI: http://hdl.handle.net/11707/3253
Appears in Collections:Annali di Ca' Foscari. Serie occidentale

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