Please use this identifier to cite or link to this item: http://hdl.handle.net/11707/1841
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dc.contributor.authorCampanini, Saverio
dc.date.accessioned2015-01-29T14:48:43Z
dc.date.accessioned2015-10-09T08:14:14Z-
dc.date.available2015-01-29T14:48:43Z
dc.date.available2015-10-09T08:14:14Z-
dc.date.issued1999
dc.identifier.urihttp://hdl.handle.net/11707/1841
dc.description.abstractThe article focuses on the Jewish sources of Francesco Zorzi's masterpiece 'De Harmonia Mundi totius cantica tria' (Venice 1525). The massive usage of Jewish texts, always read in the original allows not only to make conjectures about the dimensions of Zorzi's Judaistic library, but also offers an original perspective on the attitude held by the Venetian friar towards the Jews and Judaism. From the identification and the analysis of the Jewish sources of the 'De Harmonia mundi' a new light is shed on the central role played by Jewish tradition and, particularly, by kabbalistic texts, on the theological and philosophical background of this too often overlooked but decisive work of European Renaissance.it
dc.language.isoitait
dc.publisherPadova, Editoriale Programmait
dc.relation.ispartofAnnali di Ca' Foscari : Rivista della Facoltà di Lingue e Letterature straniere dell'Università di Ca' Foscari, 1999, vol. 38 (3), pp. 29-74it
dc.titleLe fonti ebraiche del De Harmonia Mundi di Francesco Zorziit
dc.typeArticleit
dc.description.fulltextopenen
dc.subject.keywordsFrancesco Zorziit
dc.subject.keywordsHebrewit
dc.subject.keywordsKabbalistic Sourcesit
dc.subject.keywordsEbraisticait
Appears in Collections:Annali di Ca' Foscari. Serie orientale

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