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Please use this identifier to cite or link to this item: http://hdl.handle.net/10278/136

Title: The naked man from the sea: identity and separation in 'The Secret Sharer'
Author⁄s: Vanon Alliata, Michela
Date issued: 2005
Type of document: Article
Is part of: Annali di Ca' Foscari: Rivista della Facoltà di Lingue e letterature straniere dell'Università Ca' Foscari di Venezia, Serie Occidentale, 44 (1-2), 2005, pp. 325-341.
Publisher: Padova, Editoriale Programma
Abstract: 'The Secret Sharer', Conrad's greatest contribution to the literature of the double, defines a whole series of concerns and conflicts central to both his life and fiction. While producing a dynamic narrative structure, the motif of the divided self becomes a device to overcome the boundaries of adventure in favour of a psychological realism of striking profundity, the drama of a divided subjectivity. Here the double, a fascinating and mysterious murderer, is both the projection of the protagonist's dark side and an empathetic other instrumental in the individuation process and emergence of the sense of self.
Language: eng
Access rights: open
Appears in Collections:Annali di Ca' Foscari - Serie occidentale >Annali di Ca' Foscari. Serie occidentale 2005 (vol. 44, 1-2)

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