|
Lear >
Faculty of Foreign Languages and Literatures >
Annali di Ca' Foscari - Serie occidentale >
Annali di Ca' Foscari. Serie occidentale 2005 (vol. 44, 1-2) >
Please use this identifier to cite or link to this item:
http://hdl.handle.net/10278/134
|
| Title: | La città metafisica di Max Jacob. 'Le Cornet à dés' (1917; 1955) |
| Author⁄s: | Martinuzzi, Paola |
| Date issued: | 2005 |
| Type of document: | Article |
| Is part of: | Annali di Ca' Foscari: Rivista della Facoltà di Lingue e letterature straniere dell'Università Ca' Foscari di Venezia, Serie Occidentale, 44 (1-2), 2005, pp. 289-305. |
| Publisher: | Padova, Editoriale Programma |
| Abstract: | Max Jacob's 'poèmes en prose' come in the wake of the revolutionary 'poème-illumination' by Rimbaud. They offer a discontinuity which contracts lengths and distances in a fragmented vision acquiring the traits of metaphysical painting. This fragmentary nature, suspended in an ever-possible but never-defined polysemantic dimension, draws a disquieting and oneiric urban picture, the dramatic force of which finds a salvational escape in childhood memory. |
| Language: | ita |
| Access rights: | open |
| Appears in Collections: | Annali di Ca' Foscari - Serie occidentale >Annali di Ca' Foscari. Serie occidentale 2005 (vol. 44, 1-2)
|
Files in This Item:
| File |
Size | Format | Accessibility |
|---|
| 2005-14s-Martinuzzi-pp289-305.pdf | 87.69 kB | Adobe PDF | View/Open
|
|
Items in Lear are protected by copyright, with all rights reserved, unless otherwise indicated.
|
